In Newfoundland since early in June I have been working on a series of paintings, all 4'x4' except for a triptych at 10'x4'. The works are in two series. One utilizing a vertical compositional structure
and the other a horizontal. The vertical may be in response to the physical configuration and power of the landscape while the horizontal might be about the sky. In the most recent works the two structures have begun to collide and come apart.