Monday 10 June 2013


Excellent Swimmers With Impeccable Form Innocent and Chaste


it was on the pier
at Jackson’s Point
in the mid-summer heat
pretending to shade their eyes
secure in the blind
of their separate gangs
skin tanned and glistening
bathing suits wet
both fit and both excellent
swimmers with impeccable form
race to the buoy and back
and the winner is
forgotten as she  pulls off
the white  bathing cap
and shakes the curls
back into her raven hair



Hey little girl is your daddy home
Did he go away and leave you all alone
I got a bad desire
I’m on fire

At night I wake up with the sheets soaking wet
And a freight train running through the
Middle of my head
Only you can cool my desire
I’m on fire


desire trumps all religion
and parental imperative
they had nothing to say but
their beauty was undeniable
standing beside each other on the alter
under the canopy
outrage already brewing
the Russians and the Poles
never meant to get along
his father inviting one hundred
more to the wedding

and forgetting
to tell her parents
who were picking up the tab
and there were no seats
for honoured guests
the Gentile politicians
and the bankers
and chaos ensued
and that was only the ceremony
and through the evening
it  got much worse
and we would hear about it often
how his parents
first cousins from the shtetl
in Poland
had no class
though the mother
with a loving heart in disrepair
warm and giving would die
much too soon
while the father
a true believer prayed
three times a day
to a God he would never know
a furrier making garments
to stave off the cold
Persian lamb, muskrat, beaver,
mink and Alaska seal
ownership alone
was a declaration of prosperity
in this new land
both bleak and hostile
but not as hostile as Poland
not as dangerous to the man
with his prayer book hurrying
through the shadows
the sun lit streets
draped in darkness
to say Kaddish
for a mother or a wife
no pogroms or purges in this place
simply the shortened day
and the descending chill of indifference




her parents came from
Kiev and Odessa
and far apart they would remain
once  all the children were born
one in Belgium
on the way over
and three at the end
of the world’s longest road
where he ran a  dry goods store
lent money, gambled high stakes, won
and lost a fortune
and she a sullen introvert
was devoted only
to the children
in time he sent them all away
to Toronto
and stayed above the store
with its green linoleum floor
and the arborite table
and the mistress speaking French
the house by the lake sold
in exchange for one
with a view
on  a hill close
to Castle Loma 


the Cossacks
back in the old country
had a way of subverting 
religious impulse
whether with a pitch fork or a sword
and prayer came on days marked
by the cycles of the moon
in rooms adorned with symbols
of  half remembered stories
the women seated above the men
wearing their finest clothes


growing up in the north
they kept a shovel inside
the door to carve  a way
through the snow

leaving her with a different sense of God
than him on Euclid Street
his grandmother with an ax
killing the Friday night chicken
out in the yard
in the way that it was written
she wanted a bacon sandwich on white toast
with butter and mayonnaise
it was something he would never comprehend
choking on religious superstition
he offered little resistance
to the leash pulled tight
by an unseen hand


on a good night in their new house
in the newly built suburb
of treeless streets
at the city limits
there might be laughter 
on a Sunday night
watching Ed Sullivan on TV
and they might retreat
after the kids were in bed
and though there was never
enough sex for him
and always too much for her
there was a palpable heat
burning into the darkness
and bringing light to the household
like a comet passing through
a distant galaxy
once or twice a year
but rarely would it remain
civil with cruel words
enflamed with hate
emanating from behind closed doors
they hated themselves
for the trap they were in
and they hated each other
for springing it
love and desire slipping
from their grasp
sinking to the bottom
visible and out of reach


never enough money
since he left school
and went to work for his father
doling out a salary
that came in a brown envelope
like the cutters and the sewers on the floor
with strings of failed promise
and guilt attached
and always some back handed
comment about the wife
whose spending was unending
and for why does she need that hat, dress, coat, car, piano, TV, set of dishes
or  sterling silver cutlery
and religion with its rules
written back in time
of the bicameral mind
and still beyond
a shadow of a doubt
each believer an authority deflecting
and refusing all questions
the wisdom of the holy one
blessed be he
was absolute
and they fought
at the table
resistance and revolution
for the sake
of the children
he wanting them cut
and pasted into the family
ledger of belief
she wanting them born to freedom
the capacity to think and chose
and always this fight would erupt
on the most holy day
and night with screams
and the car tires spinning
in the gravel drive
while she sped away
for some reprieve
bastard
bitch
son of a whore
cunt

and so it is said
you shall repent
on this day and atone
for all your sins


it took them thirty years
to wring the last drop of life
out of their union
and leave us with the residue
shoveling it into the plastic pails
we used as children
at the beach
the shovels bending
with the weight of each load
and  it would take a thousand trips
up and down the cellar stairs
to eliminate the dampness and the stench
the human waste




Stephen Zeifman
What Is It Exactly That You’ve Done

the inner rage
has bowed out
to no applause
just the puzzled look
the sideways glance
what is it exactly
that you’ve done
beginnings now read
as the end
dawn is dusk and dusk
is dawn again
how can emptiness
have such weight
a void carried
between the ribs
and the soul
a physical burden
all day and all of the night
Mama take this page off of me
I don’t need it anymore
there’s nothing left
nothing left to say
as the darkness steals away
the remnants of our days
the scraps untouched
and uneaten snatched
from the edges of the plate
Mama put this pain in the ground
I can’t bear it anymore
that long black cloud is coming down
I feel like I’m knockin on heaven’s door
dressed in woolens
woolens on the shore
wading trepidatiously
into the arms of a welcoming sea
fistfuls of sand
all that remain
filling my pockets
muffling the sounds
of change
what is it exactly that you’ve done
what is it exactly
that holds up to the scrutiny of the sun
or the moon’s languid glance
you sing a little
and on occasion
you’ve been known to dance
but what does it matter
only the fool waits listlessly
in the wings
to escort you on your journey
Mama take this badge off of me
I can’t use it anymore
it’s getting dark too dark to see
I fell like I’m knockin on heaven’s door
knock knock knockin on heaven’s door
knock knock knockin on heaven’s door



Stephen Zeifman

The 9/11 Memorial at Ground Zero in New York City

On Saturday May 14, 2013 around 7:00 PM I revisited the memorial to those killed at the World Trade Center on September 11, 2001. On that day I watched the tragedy unfold on an old
TV in the art studio where I worked as a teacher. I stood with a colleague before the students arrived and we were shocked, stunned by what we were seeing. First one tower then the other and the horror of the fire and the people leaping to their death and the buildings essentially melting. There were no words for what we felt and then both of our classes arrived and we had to teach and that was it until later in the day at home when one could speak about what one had witnessed earlier that day. There were many conversations in the next few months and then the events receded out of the mental limelight into the shadows of the recent past. I remember being at New Year's party, bringing in 2002, and wanting to talk about 9/11 but no one was really in the mood. Not a festive topic at all.

In February 2012, in New York for a reunion, I made my way down to the recently opened memorial site having no sense of what to expect. After going through security, like getting on a plane, and then walking about ten blocks, I entered the memorial site and saw what had been created to remember the victims of that day. Two large square holes, about twenty-five feet deep, with water flowing down all four sides to the base and from there flowing into a black square drain of indeterminate depth in the center. Surrounding each hole was a metal barrier with the name of each person who died carved out and lit from below. The sense was of life ending and flowing down the drain touching on the randomness and sudden surprise of endings, on the waste and the loss of life of each person who perished. To me it was the fullest and most complete artistic representation of loss, the most moving memorial, a unique and complete vision, and I was moved to feel what had been stuffed away all those years before and finally had some kind of emotional catharsis.

Returning a year and a few months later with my wife and my son I was not expecting to be moved again but found the experience even more powerful than the first time. The tallest of the new towers was almost complete and was a majestic shape soaring into the sky and this structure added to the sense of New York's power and resilience and rebuilding made perfect sense. We all felt like we were on hallowed ground. My son is an architect and in the presence of what has been built on that site I hugged him and said he had chosen a noble profession one capable or creating powerful structures that can cause people to feel and think in a spiritual dimension that transcends the all pervasive urban concerns of commerce and materialism.